Resistance Through Rituals, Fiasco Subculture Issue , styling and graphic intervention Riccardo Slavik, Ph Lorenzo Marcucci
feat Anatol, Conor, RJ, Mikkel etc
El Sexorcismo de Aily Habibi
Vía
@DevenirContinuo
(Fuente: ewnmcgregor)
To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. You’re everywhere you look, you’re the standard against which everyone else is measured. You’re like water, like air. People will tell you they went to see a “woman doctor” or they will say they went to see “the doctor.” People will tell you they have a “gay colleague” or they’ll tell you about a colleague. A white person will be happy to tell you about a “Black friend,” but when that same person simply mentions a “friend,” everyone will assume the person is white. Any college course that doesn’t have the word “woman” or “gay” or “minority” in its title is a course about men, heterosexuals, and white people. But we call those courses “literature,” “history” or “political science.”
This invisibility is political.
❞Michael S. Kimmel, in the introduction to the book, “Privilege: A Reader” (via thinkspeakstress)
ÜNISEKS wishes you a Happy NEW YEAR!
All I wanted comes in colors
Vanish everyday
I keep these promises, these promises
Stranger things will come before you
Always out of the way
We keep these promises, these promises
Can you call it
See it coming
Just enough to tell a story bout a
Portrait of a
Young girl waiting for a new year
All you ever wanted
Is it getting away?
Visions of a feeling
The footsteps at bay
You were getting stronger
Memories again
Now you’re open wider
It’s better this way
All I wanted comes in colors
Vanish everyday
I keep these promises, these promises
Stranger things will come before you
Always out of the way
We keep these promises, these promises
Won’t you write a letter
On the page
In your own way
Write it in a letter
On the page
It’s your own way
You were getting wiser
It’s better this way
Faces in the mirror
Memories again
Now look to a feeling
It’s lighter than breath
All you ever wanted
Is it getting away?
Can you call it
See it coming
Just enough to tell a story bout a
Portrait of a
Young girl waiting for the ending of an era
Can you call it
See it coming
Just enough to tell a story bout a
Portrait of a
Young girl waiting for the new year
16
He meditado hoy, en un intervalo de sentir, en la forma de prosa que uso. En verdad, ¿cómo escribo? He tenido, como todos han tenido, el deseo pervertido de querer tener un sistema y una norma. Es cierto que he escrito antes de la norma y del sistema; en esto, por tanto, no soy diferente de los demás.
Analizándome esta tarde, descubro que mi sistema de estilo se as
Supongamos que veo ante nosotros una muchacha de modales masculinos. Un ente humano vulgar dirá de ella, «Esa muchacha parece un muchacho». Otro ente humano y vulgar, ya más cerca de la conciencia de que hablar es decir, dirá de ella «Esa muchacha es un muchacho». Otro igualmente consciente de los deberes de la expresión, pero más animado por el afecto de la concisión, que es la lujuria del pensamiento, dirá de ella «Ese muchacho». Yo diré «Esa muchacho», violando la más elemental de las reglas gramaticales, que manda que haya concordancia de género, como de número, entre la voz substantiva y la adjetiva. Y habré dicho bien: habré hablado en términos absolutos, fotográficamente, fuera de la vulgaridad de la norma, y de la cotidianeidad. No habré hablado: habré dicho.
Fernando Pessoa (1998). El Libro del desasosiego.
Directed by Emilio Cubeiro
Annie Sprinkle’s Herstory of Porn, solo performance and film diary that traces her 30 year evolution through the Sexual Revolution. This production is directed by Emilio Cubeiro, who also originally directed Annie’s infamous hit ‘Post Porn Modernist’ which played to sold-out houses (at -theater name if I’m returning to theater). Sprinkle’s Herstory of Porn opens (date) and runs through (date).
Get your popcorn! The legendary Annie Sprinkle is going to take you to seven very different movie theaters- the Pink Pussy Cat Sinema, the New Age Sex Multiplex, the Museum of Modern Art, Sappho’s Film Co-op and others where she will interact with clips from some of the two hundred movies she’s made over the past quarter of a century.
The evening comes to a climax with Annie’s newest film Teenage Mermaid Fanta-sea, interactive performance art porn which instructs the audience how to make their own sex movie.
You don’t have to like porn to love this show, which is really about personal growth, sex in society and the human body. We have come a long way baby! This performance is guaranteed to provoke thought, conversation and laughgasms. Recommended for anyone interested in sex or film making, and not for anyone offended by strong sexual content. Free popcorn at the door. (If valid).
For the past quarter of a century, Annie Sprinkle has explored sexuality in all of it’s most glorious (and inglorious) forms. She has shared her findings through filmmaking, writing, photography, teaching workshops, and performing. She’s a sex-work pioneer, an AIDS educator, an out “metamorphosexual”…and proud of it! Ms. Sprinkle was one of the first women to inspire the term ‘sex positive feminist’. Her unique work has achieved international praise, and evoked controversy, in both the underground and mainstream art/theater worlds.
(Fuente: anniesprinkle.org)
Bi Visibility Day, also known as International Celebrate Bisexuality Day, has been marked each year since 1999 to highlight biphobia and to help people find the bisexual community.
Click here for more info.
Woooh!
